Showing posts with label Personal. Show all posts
Showing posts with label Personal. Show all posts

Tuesday, 26 November 2013

Some thoughts on post-uni life.

It's a Tuesday night and I'm sitting for what feels like the first time in ages, at an almost clear desk in my room, with fairy lights on and incense burning, listening to Bon Iver...it feels wonderful.
On an average day at the moment I will be about to climb into a taxi home from a bus journey from work. My current job is a care worker at a home for individuals with learning disabilities, personality disorders, autism and various other mental illnesses. I fell into this job unexpectedly quickly. After the summer break I began to feel that spending so much time at home made me lose my motivation. My enthusiasm for my art was waning; partly due to lack of appreciation, recognition and demand from others, but also due to a negative attitude I was finding it incredibly difficult to break out of. I also needed money badly.
So, I took the job. The shock of full-time, 12 hour shifts has been easier to cope with than I anticipated. Admittedly, it can get mentally and physically tiring...but I have this new sense of well-being that drives me on. I've surprised myself in being able to cope, and I've proved to myself that I'm a stronger person than I've felt over the past few months post-uni. The work is a mixture of stress, adrenaline, careful communication, empathy and determination. My colleagues are amazing people, incredibly capable and tough in the face of a career that is extremely demanding, yet poorly paid when the nature of the work is taken into consideration...and although my shy nature is in contrast to most of their personalities, I feel well supported and (after a couple of months) confident in their company. There are wonderful moments to be experienced with the residents too; I find I've always got sweet little anecdotes to tell. There are times when it's incredibly difficult, but those times don't overshadow the whole experience (as yet!)
I am now all the more appreciative of my days off; the little things like being able to sit alone and think; enjoy a film without the guilt of knowing I need sleep for another early start the next day; spend some time with my family; and of course, put my energy into being creative!

Making art is something I crave now. It doesn't ever feel like a chore because I so rarely get the time to do it. Beside me on my desk I've written a list reminding myself of all the little things that popped into mind that I must do tomorrow. I want to draw, and paint watercolours, SO BADLY. Tonight, I'm going to read. It's been far too long since I've felt awake enough to do that.

It's hard to imagine what the future's going to bring at the moment. Taking it all one day at a time seems to be the best way at the moment. Feeling good.

Sunday, 24 February 2013

I miss drawing people!

Lately I haven't been spending much time drawing people and figures, which is one of my favourite things to do! During our talk from Lorraine she emphasized the importance of showing the figure, and characters in our portfolios. At the moment I feel that when people look at my work they are immediately drawn to the animal figures I've made. I would like to be more recognised for my drawings as well.

This has reminded me how happy I was with my work for the Little White Lies brief, when I spent hours drawing pictures of Natalie Portman in Black Swan. When I got complimented on the likeness of my drawings to her it really gave me a greater sense of achievement than I feel when people respond well to my made creatures.

Bearing this in mind, I would like to start focusing more on what may be the drawn elements of my major project. Background details and little red riding hood herself will be good starting points. It is the integration of the made and drawn elements that will be tricky. Although I have merged a 3D way of working with 2D cut-outs for projects before (e.g. Life Stories), it will be more of a challenge making the image look cohesive with a completely 3D made figure (my wolf). Because of the inevitable difficulties I will face when it comes to arranging all the elements together in an image, I am remaining open minded at this early stage about having to experiment with the representation of the characters and scenery.

With a greater amount of time to spare for evaluation and experimentation, I'm not so daunted by this task.

Portrait for a friend

Here's what I was up to yesterday...
After seeing some drawings I had edited with a blue filter, my tutor suggested that I tried drawing in blue, so here's my first drawing with my fancy dark blue pencil and detail in black fine liner.

Sunday, 18 November 2012

Missing feline company

Today I have suddenly realised just how much I miss my cat. Strangely enough, she is one of the most encouraging individuals when it comes to my work. At home in York when I'm making/drawing something she will always be there watching, inspecting everything, occasionally sitting herself right on top of something when it's clear I'm not giving her enough attention...generally being friendly and attentive company. There's something quite lonely about Manchester without having a Molly wandering around the house.
Molly joining Anna for lunch.

New York book shopping

The highlight of my shopping in the city was definitely our visit to The Strand bookstore. It had three floors- two separate ones for art books and rare books. Most of my spending money went on purchases there; it was hard to resist when there was so much choice and mostly much cheaper than books tend to be back here in England. 

Sunday, 17 June 2012

Happy fathers day!

Today I've been working on a study of one of my favourite photos of my dad and me. I made him a card with a drawing of the same image on it, but I decided it was awful so I couldn't stand not improving it!
I've been using pencil, pen and watercolour paint.
Not quite finished yet...but here's a sneaky peak...



















and here's the finished card...






































The first thing my dad said when I gave him this was "Is my head really that big?" Maybe I didn't get the proportions spot on but I'm still pretty pleased with this.

Thursday, 12 April 2012

Some thoughts on drawing

Over the last couple of weeks I've been adding to my portrait collection.
I've noticed a few little things about the way I approach drawing people, and how it affects the outcome.
  • Drawing from life forces you to be quicker, more spontaneous in the movements of the pen/pencil across the page. This can be so satisfying when you manage to capture the 'look' of your subject in quite a simple sketch. Sometimes then it seems adding more detail is unnecessary. But it also means there can be a lot more trial and error moments- if I'm not happy with a drawing it seems pointless to use a rubber on it and labour over one drawing until it looks right- I'll just try again with a new one. 
  • Drawing from another image/photo (which is what I mostly do for my figures at the moment) allows you to labour over it- you can be slow and come back to add more/make changes. I like being able to do this. I often find that when I begin a drawing I'm not always happy with how it looks at first...I'll consider how I'll probably have to start again. But then often this is not the case, as the look of the drawing evolves as you add more detail. I've been unhappy with how pencil drawings have started out, only to improve them by adding colour or pen lines-whether it's ink, watercolour or pencil crayons etc.
  • Drawing from imagination is the hardest, to me, by far. I used to be able to do endless pictures of princesses, dragons and various fairytale things when I was younger. It's still a fun thing to do when you feel like you're just play drawing. But when I feel as though my drawing is work, this changes, and I think about everything much more critically. Materials are selected much more carefully, composition and format has to be taken into account. And basing things on real life becomes much more important. For example, if I wanted to draw a monkey I could easily scribble one out that could be recognised; but if it was for a project I would start by studying images of real monkeys, get a feel for how they really look, then develop the idea with my own stylisation. It becomes a much more thoughtful process. Drawing people from imagination is something I feel I am still learning to do. It seems easy to do a basic drawing and make it look like a person, but when you want to create someone detailed and real looking, you have to pay attention to things like subtle shading of features, body proportions, capturing a particular expression. I rely on being able to see this in front of me to be able to do it accurately, but maybe with enough experience drawing from real life, it would be easier to improvise and create someone from the imagination.

Sunday, 8 April 2012

Easter with the Williamses

After the Easter lunch David decided to direct a song on the glasses...
(hours of endless fun)


Tuesday, 28 February 2012

Safe journey home to Pauline. 
You have been greatly loved,
And will be greatly missed.
You will both continue to inspire me in everything I do.
All my love 
x

Monday, 27 February 2012

Always carry a notebook!

I tend to take a little notebook or diary with me everywhere I go. I have a collection of them, filled up with writing/drawing that I keep and get out to look back on...it reminds me how much I've grown and changed, and of thoughts and feelings that might otherwise be lost. As well as being helpful on a personal level, they can be very useful for jogging ideas for projects- playful little drawings can easily inspire something that may not come about when approached in a less relaxed way. It's always interesting when other people contribute too. To me, they're pretty essential, and I would recommend it to everyone. That is, if you can get past the potential discomfort in being viewed as massively pretentious sitting with your head buried in a notebook out in public. But most people aren't so judgemental these days!

Sunday, 15 January 2012

Sisterly Pride

Recently my sister has started modelling for some life drawing classes. It's something my mum also used to do while she was a student too. Perhaps if I was brave enough I might look into doing it myself. Here are some of the paintings the students produced...

Monday, 9 January 2012

The joys of gingerbread architecture.

My dad, my sister and I are the proud builders of this gingerbread house (granted, it was not made from scratch but a gingerbread house making kit). I attempted to build it first with a friend. The first instruction was to melt some sugar to use to glue the pieces of the house together. It was EXTREMELY hot so we decided to leave it to cool for a while, only to return to a bowl full of set sugar....at which point we gave up. 
So my dad took it upon himself to have another go the next day. He managed to glue the house together with extremely hot melted sugar (and now has heat blisters to prove it). I decorated the roof using an assortment of m&ms, jelly tots, chocolate drops and squeezed icing. Anna finished off with a few more icing details around the edge of the house, and a dusting of winter icing sugar! 
We haven't demolished it as yet. 

Thursday, 29 December 2011

a portrait of my favourite christmas present

I keep him away from bright light,
Feed him before midnight,
And NEVER get him wet.

Friday, 9 December 2011

Sneaky peek at Leon (soon to be wrapped up for Christmas)

As I was in the process of stuffing his head, Bryony suggested that I gave him a brain....so, using thin strips of crumpled up felt, sewn together with red thread, that's exactly what I did!

Wednesday, 30 November 2011

AM I GOING BLIND??

A reoccurring problem keeps stopping me in my tracks! After hours of quite intense work (usually knitting/sewing/drawing) where I have to concentrate closely on the detail, my eyes go funny. Sort of like the beginning stages of a migraine where my vision blacks out or will not focus on what I'm trying to look at. At first I panicked and thought 'do I need glasses?!' but I've come to the conclusion that it's probably just inadequate lighting, which is annoying as I have a very handy lamp on my desk (purchased from none other than IKEA in the children's section). Apparently when it comes to light, only daylight really works the best. Unfortunately for me, this means when I have a sudden bout of arty activity in the dark hours I have to put up with the inevitable blurry eye moments.

Sunday, 16 October 2011

Is knitting truly theraputic?

As quite a time-consuming activity, it would be understandable to assume that it becomes mind-numbingly boring. I'm not claiming that I can knit non-stop for hours on end without a break (not a granny, just yet!), but I can certainly lose track of time when I really get into it, and it doesn't bore me. The more practice I get, the more naturally the action comes to me, and the less frequent the little mistakes (that can, frustratingly, completely ruin the patterns if I'm not confident with fixing them). So, I had a look into theories of knitting being genuinely therapeutic. Some doctors seem to believe it can have significant health benefits, focusing around how the knitting can act as a form of meditation, thereby combatting stress. Basically, knitting is one of many good forms of escapism.
The rhythmic repetitive movements of knitting are important - quite how, we're not absolutely certain of yet, but we have our theories. Anecdotal evidence strongly suggests that they induce a form of meditation very similar to Mindfulness. Recent research has shown that Mindfulness can be very effective in treating depression and chronic pain. It can also help those who are fit and healthy to combat stress and to manage life's downs. It helps you to put into perspective any traumatic issues that would normally dominate your waking thoughts helping you to find a stable balance between problematic events and feelings and more positive, pleasant sensations within the current moment. It's a state of mind where you're not mulling over the past or fretting about the future.
'Knit On The Net'


Today I'll be starting to make one of these...


Monday, 3 October 2011

Family Research

As I am back in my home-town York for the weekend, I've taken the time today to visit my grandad and do a bit of exploring through grandma's old things.
Part of the project I am currently working on is concerned with a representation of a hope of mine, and I've decided to centre it around hoping to make my grandma proud and reflect her influence in my life. In looking through old photos and talking to my grandad about their marriage today I've realised I also hope to experience a family/marriage of my own one day that's as loving as theirs' was. Put simply, their relationship is a big inspiration.
Most of today was spent sorting through masses of photographs, some organised neatly in albums, others stacked up in boxes; a mixture of family generations. These I will either be sketching and using as transfers, or using the photographs themselves for transfers.
After looking at the photos we looked through drawers full of various little ornaments, letters, boxes full of jewellery (mostly broaches), little bottles of perfume, scarves, gloves and some of her old clothes. It reminded   me of how much of a hoarder she was. She valued things with memories: souvenirs, photos, postcards etc, all connecting to family and friends.
I think she would have been proud to be such an important part of a personal project of mine.

Saturday, 27 August 2011

Keeping up with drawing

During this project work I've found the best way to keep motivated when I'm going through a creative dry patch is to keep practicing drawing as often as possible. I feel like I stopped doing it as much last year, but I've always enjoyed drawing people.
On holiday I did sketches of my family in the spare time...
Here is a very quick pen drawing of dad...
...and pencil drawings of Anna...

Over the past couple of days I have been doing pencil and pen portraits, but they are drawn from photos rather than life.