On Thursday morning I set off to Stockport for a two hour train journey to London. My trip started well- the woman sitting next to me on the train kindly donated me the magazines she had already read!
Bryony, Jadine and I bought day tickets on the underground and set off to Leicester square. Our first stop here was at the art shop on the corner towards the National Portrait Gallery, where there was a big sale! I bought a discounted A5 sketchbook and a much-needed 2B pencil.
After that, we headed straight to the National Portrait Gallery. I knew I had a limited amount of time here before we needed to head to our time slot at the Shrigley exhibition at the Haywood Gallery.
Here are some of the notes I made:
Bryony, Jadine and I bought day tickets on the underground and set off to Leicester square. Our first stop here was at the art shop on the corner towards the National Portrait Gallery, where there was a big sale! I bought a discounted A5 sketchbook and a much-needed 2B pencil.
After that, we headed straight to the National Portrait Gallery. I knew I had a limited amount of time here before we needed to head to our time slot at the Shrigley exhibition at the Haywood Gallery.
Here are some of the notes I made:
As you can see, I only managed to get around a fraction of the portraits in the gallery before I had to depart. When I see a piece of art that really captures my attention, I do like to make the most of it, especially in places where taking photos is forbidden!
After underestimating how long it would take me to navigate my way to the Haywood Gallery, I finally arrived with only about 40 minutes to spare in my hour long time slot (unfortunately largely due to me wandering around outside Waterloo station like a little lost lamb, until I found the very helpful street maps which were dotted around the street).
Of course, pictures weren't allowed here either, so I pulled out my notebook and tried to record as many observations as I could manage.
After finishing my walk around the exhibition I realised too late that I had missed some of the rooms! But my time slot had run out and I had arranged to meet my friend Amber, which meant another tube journey from Waterloo station to Piccadilly Circus.
We had tea at a 50s diner- it was the most amazing veggie burger I've ever tasted! (Accompanied with a big glass of water after the long, dehydrating day)...And not forgetting the chocolate and rum milkshakes. After a long catch-up we left and went for a wander round a few shops, including the Rainforest Cafe where I couldn't resist buying a couple of presents from people. We also got a very informative lecture from a scary talking tree:
The next day Amber treated me to Reese's peanut butter cups cereal for breakfast, bought the previous evening from a newsagents that had American food in it. I was tempted by the coconut flavoured m&ms but they were too much money!
On Friday morning I got up early to make it to Somerset House for the illustration exhibition event 'Pick Me up'. I stayed for two hours wandering around the building. The amount of work there was so overwhelming!
Lobster 2002
Paper, glitter paper and Decopatch paper
by Zim & Zou
More of the display by Zim & Zou
(warning: text is in French!)
Rachael 2010
Giclee print
by Paul X Johnson
Lear Gaukur 04 2011
Digital print and gold leaf
by Kristjana S Williams
Fox by Sarah Maycock
Fighting Tigers 2011
by Sarah Maycock
Pieces by David Sparshott
(didn't catch the names unfortunately!)
Detail from a piece by Tim McDonagh.
This isn't the style of illustration I would usually admire, but this caught my eye as it was so overwhelmingly detailed and difficult not to be impressed by! The line work is very elegant and the different thicknesses of black lines help to make the images 'pop' out from the background. It also seems quite decorative; reminds me of the floral wallpaper we had in our old house. I wonder how long this took to design? It looks like the work of someone capable of becoming completely immersed in their work, like the enjoyment of their drawing is evident (which, to me, makes work much more enjoyable to view).
When I went up to the next level, the atmosphere changed dramatically. The room was decked out with displays by different illustrators and illustration groups, most of whom were there in the room, chatting to people about their work and selling various pieces and more affordable merchandise.
Warbler by Jim Spencer
A3 Giclee print
Edition of 50
This little one was simple, beautiful and delicate-my favourite kind of watercolour!
The display table of Cachete Jack.
I had a good look through the various books on the table and enjoyed the diary-like style and playful humour they conveyed (thoughts and words accompanied with sketchy images). It's quite similar to the way David Shrigley approaches his creation of images with a statment to accompany them.
(I highly recommend it!)
There was yet another level with smaller rooms, displaying framed pieces, books, and other merchandise. I spent some time wandering through the different rooms trying to decide whether or not to buy a particular book, Cardigan Heart by Lizzy Stewart. The paying system was a little bit strange.
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