KNIT KNIT KNIT

I had a mental block for quite some time on what material to use for my Life Stories project when it came to the flooring of my 3d set-up, which is designed to look like a dance hall. Originally in my early designs I had taken for granted that the flooring would be easy, and it would just be a fairly straightforward representation of a wooden/ parquet floor. When it actually came to the point where I needed to construct it I was unsure how to approach it. I thought about a few options: I could have photographed parquet flooring and then used a repeated  image of this to create a realistic floor (which would have been fiddly, time consuming and potentially not fit in very tastefully; I could have continued the technique I used for the dancing figures and transfer a pencil drawing of parquet flooring (but that would also be very time consuming and might look monotonous); or I could have placed pieces of real wood in it.

Finally I made the decision to make it more surreal, and create a floor that looks like a garden, to include an element of landscape gardening that is also very important to the history behind this piece. I've since been knitting different textured samples to then sew together for this. It's been taking up a LOT of my spare time for the past few days, and frustratingly slow work.

Molly, my cat, was not being particularly helpful earlier today...

Indulging in the Escapism of cinema

My parents treated my sister and me to a trip to see the new American adaption of The Girl with the Dragon Tattoo. As I haven't yet read the books or seen the original Swedish version, I cannot comment on any comparisons made; but as a film, it was extremely powerful.

Rooney Mara is absolutely absorbing in her role as Lisbeth Salander, the vulnerable let ruthless private detective assigned to help Mikael Blomkvist solve the mystery of a girl's disappearance many years ago.

The focal character, as named in the title, is Lisbeth herself, and the most interesting aspect of the plot is her relationship with Mikael, her personal living struggle, her illegal talents....basically just her. After an incredibly rough past she has been left hostile and antisocial, seemingly unable to relate normally to society in general; a situation not aided by her revolting social worker who has power over her money.

The emotional heart of the film is Lisbeth's attachment to Mikael, and the benefits and complications that brings; an element that certainly doesn't take away anything from the thriller genre.
I would highly recommend it!

"The feel bad movie of Christmas."

Here's an interview with the actress Rooney Mara on her experience of playing the title role.

....and another, better structured one featuring her co-star Daniel Craig and slightly more interesting questions.

a portrait of my favourite christmas present

I keep him away from bright light,

Feed him before midnight,

And NEVER get him wet.

Live Illustration in Manchester

On Thursday night me and my housemates went to attend a live illustration exhibition at the bar Night and Day. It began at 7.30 and ended at 12; unfortunately we couldn't attend the entire duration, but we did get a quick look at the canvases in progress. Although a lot of the artists weren't creating work to my taste, it was interesting watching them, and I have a lot of admiration for their ability to work under pressure, under the scrutiny of a big crowd. As you can see, it was difficult to get decent pictures in the cramped space!

Lord Whitney's contribution was a large paper cut out display at the back, lit up to cast shadows onto a sheet. It went well with the warm and cosy atmosphere of the bar.

I was impressed by the screen prints that were being sold; the designs were created by some of the artists who were creating the live illustrations. I bought a copy of a print (as a gift), that happened to be the screen that was used for the live printing, so got to print it myself. 

Since I've not explored screen printing in my own work so far (except for an induction earlier this year) this was a good opportunity to get a bit more practice, as I would like to look into screen printing for future work. I'm worried that at the moment the kind of work I'm creating isn't particularly commercially friendly (i.e. pencil drawings, hand made 3d work) so it would be good for me to become familiar with methods that are easier to duplicate quickly.

...be there or be square!

Image Analysis Presentation

This morning everyone in my critical studies class had to present an image analysis, lasting 10 minutes.

Here's roughly how mine went:

‘Lamia’ [on her knees]by John William Waterhouse
[1905, oil on canvas, 146 x 90.2 cm, private collection]

This is one of Waterhouse’s later paintings-he was roughly 56 years old at the time of its creation.

Inspiration for Life Stories Project: 'People Too' Illustration

I stumbled across this unusual 3d work (created entirely out of coloured paper) by Russian illustration group People Too. It's so tiny and fiddly-looking! It is a great example of how effective 3D elements can look when they're photographed in a 'scene' set up; hopefully something I can also achieve with my own illustration for Life Stories.

Sneaky peek at Leon (soon to be wrapped up for Christmas)

As I was in the process of stuffing his head, Bryony suggested that I gave him a brain....so, using thin strips of crumpled up felt, sewn together with red thread, that's exactly what I did!

Collaboration

Our latest brief, which will take us up to the end of term, is a collaboration project. Last Friday we were presented with 3 separate options for projects, and were then asked to sign our names up for one of them. Once divided into the separate groups we had to form teams of 2-4 people.

The project I decided to opt for is called 'Fiction & Reality'. Out of all the projects it is easily the most abstract and open-ended. I was immediately drawn to this aspect as I seem to work well by finding my own way into a brief and being able to manipulate it to suit me personally. I also like the mystery and intrigue side of things. However, I'm starting to realise that for me, this project was actually an incredibly difficult option! It lacks any definite outlines so leaves the message of the project almost entirely up to the group. The idea behind this project is that it is very focused on the conceptual aspect. The brief states

the outcome will not be necessarily tangible in the form of a logo, film, or surface design, for example. The brief is wide open for you to be experimental.

So far I feel this has been very challenging for my communication skills. It has involved a great deal of discussion on the idea. Making sure everyone is on the same wavelength is incredibly difficult, and there has been compromise and disagreement. In my normal work I am so used to having an idea that I'm entirely confident and happy with; it's so different when you have to vocalise everything you're thinking and justify everything to others before it is possible to get to work. The original formation of our group (myself and Rachel paired up, then invited Cat) has been shaky so far due to two of us being ill, which has meant it's been very difficult to clarify our ideas and be confident that we are all happy and ready to move forward. The initial concept has since been altered, and (since yesterday afternoon) we have finally pulled together (including the recruitment of a new team member) with a solid idea which we can begin organising. The terrifying thing is we only have a week and a few days til the deadline, and our mystery event is to be held  in a week's time!

Today we will be presenting our idea to a panel of cross-pathway tutors-fingers crossed it will go well.